Page 37 - Cape-Camera-Sept-Oct-2021
P. 37

Cape Camera                                                                                                                                               September/October 2021




















          Winner PDI – Open (Master) What can you see in the clouds by
          David Barnes (30). A simple but powerful composition that for
          me reflects the link between father and son during a quiet mo-  Winner PDI – Open (Salon) Watching and waiting by Jean Brad-
          ment together. Although the title reflects looking at what can   shaw (30). Wonderful balance of compositional elements that
          be seen in the clouds, it induced more a feeling of the child's   still keep separation from the child. Although he looks a little
          future ahead, and the turmoils of life that may be encountered   ‘stiff’ he does look like he’s waiting, so more than acceptable.
          overlooked by the support of parents. The bike adds to the   The content reflects the life of the boy and the tonal treatment
          realism of being out for a walk and another link to childhood.   compliments the subject matter and narrative. I particularly like
          Simple but very effective using a mix of high contrast blacks   the natural rim lighting on the boy against the well-controlled
          against a range of higher tones. It takes you right to the point   tones in the rest of him. Reminds me of some of Cartier-Bres-
          of emphasis.                                        son’s work.























          Winner PDI – Open (Salon) Patterns and textures in the sand by   Winner PDI – Open (Advanced) Just a bite to eat By Jonathan
          Jean Bradshaw (30). Simple but effective image with wonderful   Mark Burchell (28). Lovely shape of this bird even though not
          tones throughout and good use of visual movement. The deep   the whole body is shown. Bright areas have been controlled
          blacks help to take you through the image and after hitting the   really well and good light shown on the head of the bird. Well
          top right we easily come back to the more central darker patch   controlled depth of field. Balance is just a little heavy to the right
          and continue exploring the mid to foreground again. Very wide   hand side and maybe a slight crop from the left would have
          range of tones from the blacks through to the whites that re-  helped with this as the essence of the composition is what is
          mind me of Edward Weston’s work. One for printing.  going on between the bird and the prey.









                                                                  Winner PDI – Open (Salon) Pied Kingfisher by Ken van Wyk
                                                                  (30). A bird on a stick works if the image has been shot to a
                                                                  high technical standard. I used this image as reference for
                                                                  quality in the screen viewing of all images as it is so sub-
                                                                  lime. Quality of the detail is superb. Great work with the
                                                                  blacks and whites on the bird that still retain detail where
                                                                  it is needed. The shape of the bird and how it occupies the
                                                                  space is perfect and is enhanced by some beautiful light-
                                                                  ing that helps to make this image ‘shine’.



          Cape Town Photographic Society                                                                                                                                                                                                                  36
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