Page 3 - Cape-Camera-May-June-2021
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Cape Camera                                                                                                                                                                   May/June 2021



                              News from the Council



          I have been extremely fortunate (together with quite a few of   bled the editing of jpgs as if they
          our other members) to being completely immersed in pho-  were Raw images.  Wow –saved!
          tographic events and opportunities these past two months.  I   Something I never knew.  And
          personally feel that my growth in photography has been ex-  then the mystery of why my Raw
          ponential, simply by being exposed to venues and my fellow   images changed colour when I
          photographers.  It brings home to me the educational value of   opened them in Photoshop was
          outings and our sharing of knowledge.               solved by collaborating with an-
          Firstly, 13 of our members did a trip of a lifetime up to the little   other member – after last calibrat-
          town of Rhodes in the Southern Drakensberg. I was away for ten   ing my screen it had been set on
          days and enjoyed the opportunity of photographing The Valley   ‘graphics’.  Changing the setting to
          of Desolation in Graaff Reinet, the Owl House at Nieu Bethesda,   ‘User’ mode solved what had been
          the incredible scenery at Rhodes, the people in the township   a problem for months for me.
          at Rhodes, Hogsback, the Addo Elephant Park and the scenery   What I am saying above is that ‘the more you put into anything,
          around Prince Albert.  The value was in watching how, and of   the more you get out of it’.  In these times of Covid we are all
          what, other photographers took photos during this time.  Much   holding back, but once we are through this pandemic, please
          emphasis was put on multiple shots in camera, together with   come out and support our outings.  At present it is mainly your
          camera movement and odd tricks like the ‘Pep Ventosa’ method   Council members who are the support group, the rest are miss-
          of taking multiple images of trees whilst walking around them   ing out.  Council has decided that with the third wave upon us,
          and then combining all the shots in a multi-layered final image.   all meetings will continue to be held on Zoom. The scheduled
          A few weeks later we were off for our weekend outing to Agul-  July Print and Evaluation evening at the hall is thus cancelled
          has, which we extended to another night at Arniston. This time it   and instead we will have another overseas speaker (see E & D
          was more about ‘ticking off’ the well-known images of that area,   News).
          the Meisha Mara wreck and the Cauldron at Arniston. Many of   Our umbrella body, the PSSA, has been the topic of discussion
          us had never been to those sites and although they are consid-  in the Council of late.  We have decided not to enter this, our
          ered over-photographed, I saw it as a pilgrimage to take photos   brilliant Cape Camera magazine in the annual magazine com-
          of them myself.  Kim Stevens kindly acted as a guide down to   petition once more after entering last year and not doing that
          the Cauldron, and showed us how nimbly she managed the ‘b’   well, and yet it was voted last year to be the best club magazine
          grade rock climb down onto the slippery wet sea-level rocky   in the Western Cape. Our problem is their judging criteria.  We
          platform.  What I noticed was the different approaches we all   are communicating with them in an attempt to get changes
          have towards photographing.  I, and others, run around trying   made and to engage professional judges and not amateurs
          to get as many different images from all vantage points, whilst   Members who are members of more than one club have also
          all the good photographers suss out the scene and spend the   been the subject of discussion. The problem arises when clubs
          majority of their time taking only one or two perfect shots.      enter their images into the PSSA monthly and annual Interclub
          Amongst other things I learnt was I kept getting dust spots on   competition. To obviate this we have decided to only enter im-
          my lens.  It was because the lens cap was dirty and static elec-  ages from members who have stated that CTPS is their primary
          tricity transferred the dust across from cover to the glass.  Soap,   club.
          water and a toothbrush solved that problem.         Finally, I would like to warmly welcome the new members to
          The Kalk Bay Harbour at sunrise outing provided more images,   our society, namely Ken van Wyk Janice Ashby and Mariana
          as did the attendance at a Portrait workshop run by the Paarl   Visser, as well as congratulating Sally Anne Spooner for being
          club, with real live models out in the vineyards!  Needless to   promoted to Intermediate, Mike Pace and Kumar Paramasivam
          say the processing of all these images at home also provided   to Advanced and Trudi du Toit to Salon. We also have five new
          more learning.  Due to some finger trouble on the Rhodes trip   Masters, namely Crighton Klaasen, Jacoba van Zyl, Jeanette du
          my last two days images were all mistakenly taken as Jpegs.     Toit, Lesley Parolis and Nicol du Toit.  Heartiest congratulations
          A disaster!  Saved by advice from one of our sages, that under   to all!
          ‘filters’ in Photoshop, there is a ‘Camera Raw’ option which ena-                   Richard Goldschmidt
                                                                                                       President







                      Art implies control of reality, for reality itself possesses no

                 sense of the aesthetic. Photography becomes art when cer-
                 tain controls are applied. So, a fine art photograph must go

                  beyond the literal representation of a scene or subject.
                                               Ansel Adams











          Cape Town Photographic Society                                                                                                                                                                                                                  2
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