Page 10 - Cape-Camera-March-April-2021
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Cape Camera                                                                                                                                                               March/April 2021



          know, don't assume. Be honest with yourself; if you don’t know   than the sum of the parts. Strive to see the whole and not just
          something, do the research! Be willing to work at it. Remember   the parts.
          to always judge what you see in front of you – you don’t have to   Look for the message in relation to interest
          explain how a technique or effect was achieved. Assuming can
          lead to a loss of credibility.                      Even if the message is unclear, even if there is a question mark
                                                              about the message, there should be interest. Interest can raise
          Read the image / identify the message               questions and unanswered questions can be a message in and
          We must ask the question, “What does this image communi-  of themselves. The context may be lacking but the question
          cate?” We must read the photograph.  Photography is a tool for   mark draws attention and interest. These dynamics become
          visual communication, a universal language that transcends the   the message.
          spoken word. Photography is a human language. To ignore the
          story of an image is to fail. To evaluate only the technique and to   Be prepared – if you want to be fair!
          ignore the message is to fail. Judges must see and not just look.   Preparation is the key element for judging – you must be in-
                                                              formed – you must understand. Research the Set-subject, study
          Ask what does the image communicate?                the images in advance. As judges, we are human and we will
          A beautiful flower is a message in and of itself, as is an image   inevitably miss things. The goal is to keep those instances to a
          of Table Mountain. Rather than say, “I’ve seen so many images   minimum. Judges must understand and appreciate every gen-
          of flowers,” or, “Not another image of Table Mountain!” I pretend   re of photography. Strive to be known as a judge who is fair and
          that this is the first flower or the first image of Table Mountain   appreciates all genres.
          that I have ever seen. I make it a point to disregard all of my pre-  Be consistent with the scoring
          conceived ideas and past experiences of viewing flowers or Ta-
          ble Mountain. This method helps to clear the mind and enables   To be considered as consistent is a high compliment for a judge.
          an objective evaluation based upon the merits of the image   Consistency is perceived as fairness. Whether you are a tough
          itself.                                             judge or maybe a bit more on the lenient side, if you are consist-
                                                              ent with your scoring, you will be considered as fair. Studying
          See (evaluate) the image as a whole                 the images ahead of time and reviewing your scores can be of
          Oftentimes we may be tempted to focus on different elements/  great assistance in this regard. I personally achieve consistency
          parts of an image and we comment on those elements. Have   by scoring all images before the event and then grouping them
          we failed to see how the parts are working together to create a   into folders and comparing them to look for anomalies/ incon-
          message? That message as a whole may be something greater   sistencies.





                                                    E & D News





















                          The creative side of photography - 17th March 2021 - Colin Harrison
         In a most informative and interesting presentation, he cov-  uses images taken during his extensively travels throughout
         ered a wide range of Photoshop techniques (which can easily   the world. For instance, he used a portfolio of old, rusted and
         be adopted to Lightroom as well) that demonstrated how he   decaying vehicles he had shot some time ago at an abandoned
         achieved a particular creative vision. All this was done on a level   goldmine in Arizona and presented a panel to the Photograph-
         that was easy to follow and understand. Colin holds numerous   ic Society of America for his Silver Award.
         Honours degrees and is a member of the Royal Photographic   He also uses various available Plug-ins to assist him in the crea-
         Society, where he gained his RPS Fellowship in 1993.    tive process, but interestingly, he still prefers to work with a
         His creative approach is bold and very colourful with layers of   mouse instead of a tablet - the preferred tool for cut-outs today.
         strong textures and grunge that is all very impactful. Almost     For more information: https://www.colinharrisonphotography.
         95 % of his creative images are pre-planned, in other words, he   uk/ or you can request a PDF copy of his lecture notes from the
         shoots specifically for a pre-imagined project. To this end, he   editor.






          Cape Town Photographic Society                                                                                                                                                                                                                  9
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